Living Stones, unlimited... anirose@livingstonesunlimited.com
what I mean by Art and Healing
Home
july through sept 12 2008 new work
most recent work
gallery1 - paintings
gallery 2: tile, sculpture and more...
gallery 3:Clay Urns, Instruments and other more interesting things...
political art because the world needs healing...
gallery 4
About the Artist
Art and Healing
The Survivor of Trauma
favorite links, in several categories
my events/exhibits/shows
SWAN international day!!!
"STONES" & small-book info
payment options


Bill Moyers:
"Who interprets the divinity inherent in nature for us today?
Who are our shamans? Who interprets unseen things for us?"


Joseph Campbell:
"It is the function of the artist to do this.
The artist is the one who communicates myth for today."


 
.
 
       One of my intentions  with LSu is  to help  bridge the gap  between  what we  commonly  recognize as "the healing  community"  and "the art community." Historically this gap is best understood via the world of, "outsider art". Secondly, a comparatively small school of thought among "healers" and teachers, philosophers and writers, therapists and spiritual folks, combines  the power of personal healing with the creative drive.
 
Personally, communally, societally, culturally, globally:  Healing is art and art is healing -- at least it can be -  O believe it IS, wether  we like it  or are aware of it, or not. 
 
     Outsider Art is a recognized school of thought - so to speak. It is sourced in work by doctors and psychiatrists of Europe who began collecting the art works of mental patients and  prisoners, the hospitalized and dying. The term, Art Brut was adopted eventually as an umbrella term for this kind of art, which was ALSO  primarily self-taught, un-educated in terms of the fine arts, and rarely "shown". 
     "The term Outsider Art was coined by art critic Roger Cardinal in 1972 as an English synonym for Art Brut (which literally translates as “Raw Art”). The interest in "outsider" practices among twentieth century artists and critics can be seen as part of a larger emphasis on the rejection of established values within the modernist art milieu. The early part of the 20th Century gave rise to cubism and the Dada, Constructivist and Futurist movements in art, all of which involved a dramatic movement away from cultural forms of the past. Dadaist Marcel Duchamp, for example, abandoned "painterly" technique to allow chance operations a role in determining the form of his works, or simply to re-contextualize existing "readymade" objects as art. Mid-century artists, including Pablo Picasso, looked "outside" the traditions of high culture for inspiration, drawing from the artifacts of "primitive" societies, the unschooled artwork of children, and vulgar advertising graphics.
    Dubuffet's championing of the art of the insane and others at the margins of society is yet another example of avant-garde art challenging established cultural values.
     "Outsider Art" is often applied more broadly, to include certain self-taught or Naïve art . Much Outsider Art illustrates extreme mental states, unconventional ideas, or elaborate fantasy worlds.  Outsider Art is virtually synonymous with Art Brut in both spirit and meaning."(quote from the Survivor Art Foundation website. links are active at that site)
 
  In my own art, and in opportunities I can make available to others, I intend  to share the power of using art in the process of personal healing.  This is not about the accepted school of professional "Art Therapy." It is  about a style of life and work, an approach to personal and communal healing, an acceptance  of how natural and integral the symbolic  process is in all of our lives.  While what I have to say and offer is more than likely  very true of any body of art -- my primary interest is with "outsider art"  and includes specifically the art and healing work of Survivors of Trauma.
 
It is within the interaction between you and the art materials  that the power of creative expression lives.
There is always an artist within. Most people need ways to be free of fear, judgements, self-questioning, comparison, criticism, the anxiety around being "seen".
Given the right space, and permission, everyone CAN experience their own power to create.  We CAN  safely feel heard and seen, if only by ourselves, through the activity of creation.
 
Is Art connected to SPIRITUALITY?  of course. It IS a spirituality.
 
 

You will find below the first entrances  into a future  annotated  bibliography of my personal primary influences from the arts and the healing  worlds.  Expect  this list to grow and become fully detailed.  If you have suggestions  for the list, please email me  here,   anirose@livingstonesunlimited.com
 
 
When the Spirits Come Back, Janet O'Dallet
 
On Art and Therapy, Martina Thompson
 
both of  the listings above are out of print and hard to find. However,  they are worth every effort. 
 
Art as Medicine, and other  works  by Shaun McNiff
 
Art as Healing, and other works  by Edward Adamson
 
The Hands of the Living God,  Marion Milner
 
 
more listings to come:
 
works  on  the history and essence of OUTSIDER ART (see links  on My Blog)
 
notebooks and personal writings of artists  such as Pablo Picasso, Paul Klee, Georgia O'Keefe', Wolfi, Klimt., Van Gogh, Gabrielle Villa ... 
 
such thinkers  as Jung and Freud, Hegel, Merleau-Ponty, Einstein, Jospeh Campbell,  Annie Dillard, Emily Dickinson ...
 
and those  from the "healing"  community  such as